// archives

Photoshop

This category contains 70 posts

Attention! Lightroom 4: Tone Curve Bug

Update: 5/1/12 Adobe has released Lightroom 4.1 RC2 on the Adobe Labs Web site. In my testing yesterday, it appears to fully preserve the Tone Curve settings from images in LR3 catalogs. I’ve also found it to be much faster than LR3 as well. I’ve seen several forum posts about some users feeling LR4 was [...]

Lightroom 4 Is Here!

Earlier this week, Adobe Lightroom 4 was officially released to the world. With it comes big changes, some visible to the user, others behind the scenes. Collectively, this is one of the most important releases to Lightroom and solidifies Lightroom’s position as the go-to all-in-one application for managing the chaos of a digital photography workflow. [...]

Quick Tip: Olympus PEN Video and Adobe Lightroom

If you use Adobe Lightroom to manage your photos, you’ll want to be sure to download any video you shoot with the new Olympus PEN E-P3, E-PL3 and E-PM1 cameras manually. While Adobe Lightroom will download and manage video from earlier PEN cameras and the Olympus E-5, it doesn’t recognize the AVCHD video format used [...]

Tips for a Smooth Round-trip between Photoshop CS5 and Flash Catalyst

Adobe Flash Catalyst is a great tool for building out quick video-based microsites without having to learn any ActionScript or JavaScript. It takes your layered Photoshop file for the base design and allows you to designate which layers are buttons, form fields, etc and applies the necessary code behind the scenes. If it sounds a [...]

Photoshop + Adobe Media Encoder = Video Rendering Bliss

If you’re using Photoshop Extended to perform color and tone correction in video footage, you may be frustrated by tying Photoshop up for long periods of time rendering video. If so, try offloading the rendering chores to Adobe Media Encoder CS4 or CS5. Simply save your color-corrected video files as layered .PSDs and open them [...]

Panoramic Photos from Video Sweep

Nikon cameras have introduced a nifty feature in their point-and-shoot cameras allowing you to create a panoramic image from a video clip that sweeps across a subject.. You can create the same effect from a video clip with Photoshop Extended. Here’s how. 1) Open your video clip into Photoshop Extended (CS3 & later) and open [...]

30 Days of CS5: Conclusion

This wraps up our 30 Days of CS5 series. Although we’ve covered lots of new ground, we’re still really only scratching the surface of how these features can be implemented into your workflow to help you work faster and expand your creative options. Those deeper posts will continue over weeks and months to come, particularly [...]

30 Days of CS5: Perspective Drawing

Clearly, the engineers at Adobe feel that 3D, both actual and perceived, will play a prominent role in the future of illustration, design and motion. The past several generations of the Creative Suite have brought us tools like Vanishing Point (Photoshop) and 3D Effects (Illustrator). CS5 brings us Repousee in Photoshop for creating 3D graphics [...]

30 Days of CS5: Auto Keyframing

For many people, myself included, switching from still to motion graphics requires us to rethink the way we prepare our files. Not only do we have the static components (composition, content, color, contrast, etc.) but we also now have a temporal component to consider and control. When I began playing with motion graphics, I found [...]

30 Days of CS5: After Effects CS5: Vibrance

Color correcting, or color grading, video footage can be a difficult skill to master and a time consuming-process, even once one is familiar with the tools. As a result, color grading is frequently skipped in favor of strictly focusing on the content gathering and editing process. With the speed benefits from working in Premiere Pro [...]